![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWzBk8l-frax9Xx6gjv92EopUkvWy2Y4Pr8Vi4GwDcoBB2GOSRjySL3RDvCaq0iddBD8Tw_nqKwqvgqHiPaUHkEsye0e6evnXdyd2ooG3pK8y-vqIPGlwf2AlNZJO_mR4x3V7KPlsX0gSJ/s320/mask1.jpg)
Here is a sample of the work for my first project in my final year. I chose the Peking Opera as my subject matter and found inspiration in the vivid and exciting face paints the actors adorned themselves in.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG6YuvhCX6lv2Iu6O9xuBCzXnysjpGVR2t_B3YZjd06jddwcVhyxD-loYHTMi2dgyrrLDvYQxUhQLJ0cQ2siWYeJ3Sww4qBnsXohBwuMWNf-zAxdNYYq1rzkpF9-ls57LMQBe_UhqYQhXg/s320/masks1.jpg)
A few examples of the progression from my sketchbook work to knitted designs.
I created the mask shapes on my knitting machine and stitch and print have been used here as methods of obtaining pattern and decoration. I selected my palette from the most used colours in the Peking Opera costumes, as a way of keeping the bold feeling of the original visual studies. The chins are 3-D - having them stand out, just like the actors' adornment does; another way I expressed the entertainment value of the Opera House!
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